After the experience of an informal type, he tries to renew in 1968, even with explanation for his social commitment, the divarication between the work and its receiver through a pop-methaphysical pattern, first with acrylic coloured toy theatres and metal collage and then with big painted panel and white wooden insert.
The subjects expresss a slight irony towards the consumer society, with a false game between the bidimensionality of the tridimensionality of the white stuck object as a "fetish".
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