MEMORY AS MATTER 1964 Canvas on stucco) Dim.10x17

 

In 1964 De Luca starts his first search with the achromatic technique,canvas on stucco,whit which the artist gets critics Maurizio Fagiolo Dell'Arco's consent and encouragement.

DYNAMIC PRESENCES 1966 (Canvas on stucco) 130x120

 

1966: Towards the Acrome of the Milanese conceptuals
-The Pop-realistic prints of bottles on white napkins.

POP-METAPHISICAL 1968 ( collage acrylic-metal) 17x40,5

 

After the experience of an informal type, he tries to renew in 1968, even with explanation for his social commitment, the divarication between the work and its receiver through a pop-methaphysical pattern, first with acrylic coloured toy theatres and metal collage and then with big painted panel and white wooden insert.
The subjects expresss a slight irony towards the consumer society, with a false game between the bidimensionality of the tridimensionality of the white stuck object as a "fetish".

DIPLOMATICY 1970 (Acrylic on canvas)Dim.90x130

1970:Towards the Pop-USA of Dadaist origin. - The Pop-It of Metaphysical derivation.

FOTOREPORTER 1972 Acrylic on paper)Dim.50x70

1972Towards the Pop-USA of Dadaist origin. New Figuration in social commitment.

VERMEER 1976 (Black wood on jute) Dim.96X133

 

1976: Towards the USA antihistoricist culture. The educational installation on European Historical Realism in 15 plates of black wood and jute.

FRAGMENTS 3-U 1980 (Wathercolor on paper-collage)Dim.40x29

1980: Towards the Spatial Contepts of Lucio Fontana.
The fragments of “vanished realism” in the Spatial Landscapes.